SIX SECONDS IS A FEATURE FILM
What cutting hundreds of short ads teaches you about respecting one second of attention.
PORTFOLIO — TWENTY TWENTY-SIX
EDITOR
MULTIDISCIPLINARY
MULTIDISCIPLINARY
EVERY FRAME
EARNS ITS PLACE
EARNS ITS PLACE
PHILIPPINES
WORKING WORLDWIDE
WATCHWORKING WORLDWIDE
THE REEL
✦ ✦ ✦ PROLOGUE ✦ ✦ ✦
“A story is not what happens on set. It is what survives the cut — and the cut is where I live, between what was shot and what deserves to be seen”
JAYVIE QUERIDO CUTS CAMPAIGN FILMS, STORY ADS AND BRAND WORK — EDIT, MOTION, GRADE AND SOUND CARRIED BY ONE PAIR OF HANDS FROM FIRST ASSEMBLY TO FINAL MASTER.
SEE THE WORKSTHE CRAFT
AN EDIT IS A PROMISE: NOTHING ON THE TIMELINE THAT DOES NOT MOVE THE STORY.
RHYTHM FIRST, POLISH SECOND, EGO NEVER.
SHOWREEL — SEE YOU IN THE CUT
WORKS WHERETHE CUT SPEAKS
ONE TIMELINE FROM BRIEF TO MASTER, WALKED THE SAME WAY EVERY TIME. THE PERSON WHO HEARD THE BRIEF IS THE PERSON WHO GRADES THE FINAL FRAME.
BOOK A CUTHOLD AND DRAG — RAW TO GRADE
✦ ✦ ✦ CAPABILITIES ✦ ✦ ✦
WHAT JAYVIE BRINGS TO THE TIMELINE
24 FPS
TOOLKIT
PREMIERE PRO
AFTER EFFECTS
DAVINCI RESOLVE
AUDITION
AI-ASSISTED PIPELINE
Narrative-first editing for campaign films and story ads — assemblies that find the spine of a story and cuts that keep every second accountable.
1 | 5
CUTTING PROFESSIONALLY
SINCE
’19
PROJECTS DELIVERED
200+ CUTS
BRANDS SERVED
40+ WORLDWIDE
TYPICAL FIRST CUT
WITHIN DAYS
REVISION PHILOSOPHY
UNTIL IT LANDS
WHAT CLIENTS GET
ONE EDITOR, BRIEF TO MASTERNO HAND-OFFS
PLATFORM MASTERS INCLUDED9:16 / 1:1 / 16:9
SOURCE PROJECT FILESON REQUEST
GOOD TO KNOW
REMOTE-FIRST, ASYNC-FRIENDLY
WHITE-LABEL FOR AGENCIES
RUSH SLOTS BY ARRANGEMENT
START A PROJECT
✦ ✦ ✦ IN OTHER WORDS ✦ ✦ ✦
THE QUIET ONE WHO MAKES THE LOUD WORK
“We sent rushes and a deadline that scared us. Jayvie sent back a film — on time, graded, mixed, and better than the board we pitched.”
✦ ✦ ✦
JQ
PRODUCERAGENCY CLIENT
GALLERY
JAYVIE QUERIDO
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